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wot do u think abt this music (if u can & want to listen/answer)?
It doesn't help that literally everything in the game contradicts this claim that she's supposedly not happy. Oh, oh, and it's not even half of it.@Keedounan Read what's available there and, yeah, it's absolutely terrible. It'd be one thing if Clem was forced to leave Wellington due to it getting sieged/destroyed or if it focused on her and the world after the end of the original TWD comic, but her leaving for such a petty reason as "I'm not happy" in a world where even living to the next day can seem like a luxury?
Definitely a contender for how spinoff can shoot itself in the foot in terms of franchise integrity in record time. Even Goku's characterisation in Super makes more sense than this.
He's at best the poor man's version of Churchill or Thatcher with him presenting some very flawed totalitarian decisions, and at worst an oligarchal shill simply going along with broader governmental plans and not benefitting the British public as a whole with his continual lockdown or undermining their vote with the continuing pushback of a final decision regarding Brexit (which, whilst I've already expressed my issues with leaving, it was what the majority of the public clearly voted for).Your thoughts on ur current pm?
Definitely. A mole who gradually became attached to his companions before rebelling against the main villains and tricking them is way more of a concise and dynamic character arc than anything seen in Super that either has its characters remain the same or morphs them into poor caricatures.Does Gill have more depth and character than anyone on Dragon Ball Super?
source:digi-lab.blog/digimon-tamers-blu-ray-box-special-cast-and-staff-interview-2018/There’s a song in the soundtrack called “Digital African”. It’s a name that you wouldn’t normally be able to conceive, going along with the “wild beasts in the network”. Among Arisawa-san’s music for this series, we wanted to emphasize that point, didn’t we?
To be honest, when they showed me the demo for “The Biggest Dreamer” and told me that this would be the demo for the song, I remember being rather disappointed about it. The reason was that I’d really liked the rock sound from Adventure and 02, but here we had a very pounding and in-your-face 16-beat instrumental.
But I’ve been through countless experiences of taking my first impressions back like this. As I continued listening to it, Kouji Wada-san’s singing vocals were not only powerful enough to hear the kind of conviction that boosts confidence, but also had a sense of pain to it.
For the Digimon audience, the series’s most immortal song is “Butter-Fly”. Personally, I like the “Strong Version”, which brings it down a semitone and has only the guitar (a keyboard-less hard rock arrangement), but the one that moved me the most is probably the “Theater Version” with the a cappella.
As far as the music itself goes, taking out personal attachment related to being directly involved, my personal favorite is 02‘s “Target ~Red Shock~“, which is more of a hard rock song than the more oldies rock-n’-roll-styled “Butter-Fly”. Moreover, “Target” even happens to have a progressive development in its interlude, with an unusual time signature.
Like “Target”, “The Biggest Dreamer” was composed and arranged by Michihiko Ohta-san, and had an even more dramatic pace to it than there ever had been before. So, of course, once I’d gotten to listen to it, I inevitably ended up listening to it every day.