Why I'm Not A One Piece Fan Anymore

ahill1

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@Kyo



Nah. You don't get to decide that the parameters for the start of the War saga is "when Luffy learns that Ace is going to be executed."
I'm not deciding anything. I'm saying that leaving the Amazon Lily saga as the get go for the WB saga makes more sense as it's more strongly connected to it. Sabaody is loosely connected to it. It's where everyone is sent to their separate Islands, but that's it. The fundamentals of the War is only structured at Amazon Lily.
It's not. It's the one that starts everything.
Nope. It sends them different Islands. What starts everything is Luffy's info about his Brother's situation.
Doesn't matter. Laboon arc is the start of the Alabasta saga and it's even more "loosely involved."
No, it's not more loosely connected because they know Vivi there, who's a pivotal character in the whole succeeding sequence. Vivi sets their journey to the island that gets them to Crocodile. It's Vivi, while in Laboon's segment, that sets their journey. So no, it DOES matter.
Melodrama does not mean sad.
Didn't say it was. I said I see many of the sad moments as melodrama. I find it over dramatic. Didn't say every sad moment is a melodrama.
was melodrama. Usopp was all up in his feelings over a boat, for crying out loud. Come on.
Which he had reasons to. It was the boat given to him by his best friend. Luffy also had all the reasons to cry, it was his best friend being KO'd by him.

I guess all the characters that cried in the series had their reason to cry. It isn't so much melodrama now that I think about it. More so the way the sad moments are structured and sequenced. Some also feel unrealistic to me.

But no, OP is not in itself a melodrama.
If we're looking for plausibility and credibility then nobody would be monologuing or any of that shit.
Or they would. It's pretty common in movies. Series. Monologs is all I see mostly. Maybe in a not so abrasive way like Doflamingo, but the moment asked for that.
 

Kyo

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I'm not deciding anything.
You are.
I'm saying that leaving the Amazon Lily saga as the get go for the WB saga makes more sense as it's more strongly connected to it.
Because the saga is already underway by that point. Impel Down is "more strongly connected" than Amazon Lily. Marineford is more "strongly connected" than Impel Down.
Sabaody is loosely connected to it. It's where everyone is sent to their separate Islands, but that's it.
Ergo it is the start of the arc. The Straw Hats' defeat is the turning point here. The culmination of the saga brings to light Luffy's weakness. Sabaody kickstarts the entire thing. How do you not see this?
You keep insisting upon its loose connection. Guess what Thriller Bark is? Not connected at all. Hence it's not the start, while Sabaody is.
The fundamentals of the War is only structured at Amazon Lily.
No, the "fundamentals of the War," going by your definition, are actually structured when Blackbeard captures Ace. This is after Enies Lobby. Luckily, this does not define the start of the saga.
Nope. It sends them different Islands. What starts everything is Luffy's info about his Brother's situation.
Fucking no. What.
No, it's not more loosely connected because they know Vivi there, who's a pivotal character in the whole succeeding sequence. Vivi sets their journey to the island that gets them to Crocodile. It's Vivi, while in Laboon's segment, that sets their journey. So no, it DOES matter.
Vivi does not reveal herself until Whisky Peak. Vivi does not explain her history and give the Straw Hats motivation to help her until Whisky Peak. The "fundamentals" for the rescue of Alabasta are not "structured" until Whisky Peak.
Oh, but Vivi's appearance at Reverse Mountain is what kickstarts all of the above. And what happens at Sabaody again?

Which he had reasons to.
Irrelevant.
Luffy also had all the reasons to cry
Irrelevant.
I guess all the characters that cried in the series had their reason to cry.
Irrelevant.
It isn't so much melodrama now that I think about it.
It is.
But no, OP is not in itself a melodrama.
It is.
 

ahill1

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@Kyo


Nope. Still wrong.
Because the saga is already underway by that point. Impel Down is "more strongly connected" than Amazon Lily. Marineford is more "strongly connected" than Impel Down.
The saga was already underway ever since the end of Skypiea when Ace challenged Black Beard and lost. And that happened way before Thriller Bark. So yeah, "being underway" doesn't matter. What matters is the connection the arc had with the saga. Sabaody didn't.
Ergo it is the start of the arc. The Straw Hats' defeat is the turning point here. The culmination of the saga brings to light Luffy's weakness. Sabaody kickstarts the entire thing. How do you not see this?
You keep insisting upon its loose connection. Guess what Thriller Bark is? Not connected at all. Hence it's not the start, while Sabaody is.
Expect there's no connection. The SHs are defeated but that in no way relates to the war. Maybe very loosely. Luffy learns of what happens to Ace in Amazon Lily. THAT'S the turning point. THAT'S what's relevant to Luffy's decision of saving Ace. THAT'S where he learns of Ace's condition. The best you can connect the two arcs is to argue that the island Luffy was sent to was special because he wouldn't have been given the newspaper in another island... and that's as tiny as the point gets. Luffy's weaknesses isn't that relevant either. His weaknesses is only relevant to his desire to train the upcoming 2 years, which I guess was aggravated in the war, but that's not relevant to Luffy's desire to save Ace. His weakness would be clearly shown either way.

Thriller Bark's ending is even connected in some way, too. At its ending Luffy saw Ace's vital signs as declining and decided not to interfere since it's Ace's life. That's connection too. So no, it's not the start.
No, the "fundamentals of the War," going by your definition, are actually structured when Blackbeard captures Ace. This is after Enies Lobby. Luckily, this does not define the start of the saga
This does not define the start of the arc because it wasn't the center of the plot. BB captured Ace and then the center of the story was shown with the SHs again.

You said "the saga was already underway by that point". The saga was already underway ever since BB captured Ace. So it being underway doesn't matter. What matters is how tight it got to Luffy.
Vivi does not reveal herself until Whisky Peak. Vivi does not explain her history and give the Straw Hats motivation to help her until Whisky Peak. The "fundamentals" for the rescue of Alabasta are not "structured" until Whisky Peak.
Oh, but Vivi's appearance at Reverse Mountain is what kickstarts all of the above. And what happens at Sabaody again?
Vivi still appears and changes the entire route of the defining Islands for where the SHs will go. That's way more connected than Sabaody. The SHs go to the island that the Baroque Works and the elements of the saga are present. Vivi doesn't present as Baroque Works, but that means little... we know retroactively that she is. Zoro even clues us in saying that he knows something is up with them. Vivi is the pivotal character in the next arc. It makes sense to start there.

You could actually make a better point and say that the Island Kuma sent Luffy was pivotal in him trying to rescue Ace, but everything starts at Amazon Lily. It's there that Luffy gets the main information and his action starts from there. Everything before is a little addition if anything.

That's like saying the Vegeta arc is the start of the Freeza arc because Vegeta and Nappa gave them the info about Namek and killed everyone.

Sabaody had its own "villains" and it's separated from Whitebard saga.
Irrelevant
Not irrelevant. If he had reasons to cry and cried, expressed his feelings, then that's not necessarily overreaction or exaggeration.
Irrelevant.
Again, no.
rrelevant.
Oh, a head trick of wrong statements, nice.
Oh, nice... I think I can do the same at your points too... just respond with a "it is", "irrelevant"...
Prove it, don't just say it.
 

Kyo

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Expect there's no connection. The SHs are defeated but that in no way relates to the war.
What a disingenuous argument. "Laboon is saved, but that in no way relates to Baroque Works."
Luffy learns of what happens to Ace in Amazon Lily. THAT'S the turning point. THAT'S what's relevant to Luffy's decision of saving Ace. THAT'S where he learns of Ace's condition.
Once again, you don't get to decide that the parameters for the start of the War saga is "when Luffy learns that Ace is going to be executed."
Luffy's weaknesses isn't that relevant either.
What the fuck
and decided not to interfere since it's Ace's life. That's connection too.
It is not. By definition. Did you even look at what you wrote? This is foreshadowing.
This does not define the start of the arc
Correct. You have missed the point.
You could actually make a better point and say that the Island Kuma sent Luffy was pivotal in him trying to rescue Ace
What the fuck point did you think was being made before this? Hello?
but everything starts at Amazon Lily. It's there that Luffy gets the main information and his action starts from there. Everything before is a little addition if anything.
Do you know how storytelling works? What is the introduction and rising action? Again, by these metrics, Alabasta does not begin until Miss Wednesday reveals that she is Vivi.
That's like saying the Vegeta arc is the start of the Freeza arc because Vegeta and Nappa gave them the info about Namek and killed everyone.
Vegeta through Freeza can indeed be considered one saga. The shift from one to the other is clean enough to separate the two though, as opposed to the shift from Androids to Cell for example, which is why no official material considers them the same. Dragon Ball also places heavy emphasis on its primary antagonist when splitting its sagas.
Sabaody had its own "villains"
The villain in Amazon Lily was Boa Hancock. The overarching villain throughout the entire War saga is the government.
and it's separated from Whitebard saga.
Jesus Christ.
Not irrelevant. If he had reasons to cry and cried, expressed his feelings, then that's not necessarily overreaction or exaggeration.
Melodrama does not mean that people cry or otherwise do things for no reason.
Let's peel this back and look at some simpler examples. Dragon Ball Z is a melodrama. Star Wars is a melodrama. William Shakespeare wrote melodramas.
 

ahill1

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@Kyo

What a disingenuous argument. "Laboon is saved, but that in no way relates to Baroque Works."
Except Laboon isn't the only part of the arc. They met Vivi which set their journey. There's nothing disingenuous about anything.
Once again, you don't get to decide that the parameters for the start of the War saga is "when Luffy learns that Ace is going to be executed."
It's what makes the most sense. Why do you get to decide it's something loosely associated to Sabaody? It doesn't get more random than that.

I assume an arc starts when there's a strong bond connecting the events. Luffy learns about Ace's impeding condition there. I lump what comes after as the same arc, not some event loosely connected beforehand.
ction too.
It is not. By definition. Did you even look at what you wrote? This is foreshadowing.
It's a connection. Luffy is firstly exposed that something is wrong with Ace. He just doesn't pay much attention. That's a connection. Just not strong enough to make Luffy care.
Correct. You have missed the point.
I haven't missed anything. Your point just doesn't make sense.
What the fuck point did you think was being made before this? Hello?
You never said anything like this. And even going that route, it doesn't work. Kuma sent Luffy there, but Luffy got there empty handed. It's THERE that he earned his right to play Hancock's ship. He has his own adventure there. And there he gets the defining information. It's Amazon Lily, not Sabaody.
Vegeta through Freeza can indeed be considered one saga. The shift from one to the other is clean enough to separate the two though, as opposed to the shift from Androids to Cell for example, which is why no official material considers them the same. Dragon Ball also places heavy emphasis on its primary antagonist when splitting its sagas
The shift from Sabaody onwards is clear too. Luffy gets there, has funny moments with the girsl, earnd their trust, has his occasional meal with everyone after the big fight and only then sets his gaze at his next challenge. It's clear enough.
Do you know how storytelling works? What is the introduction and rising action? Again, by these metrics, Alabasta does not begin until Miss Wednesday reveals that she is Vivi.

Not comparable. Again, Vivi sets their whole journey, which they could choose differently, and Zoro already fights ppl related to the organization from the get go, and joins Vivi's cause without even knowing her personally. That's very different from a Luffy that was completely oblivious about the whole Summit war, had to earn his respect in the island and only then found out Ace needed to be saved. It's all WAY more loosely connected than Vivi's introduction and the way the route is decided due to her. She decides her route to take advantage of them and they fall in a Baroque Works organization. Luffy falls in an Island and only knows of the fact way later.

Heck, you can even say the Alabasta arc only started at the revelation. It can work too.
abaody had its own "villains"
The villain in Amazon Lily was Boa Hancock. The overarching villain throughout the entire War saga is the government.
Hence why I said it has its own villain. And it's the start of the Summit War saga, most likely.
Melodrama does not mean that people cry or otherwise do things for no reason.
Let's peel this back and look at some simpler examples. Dragon Ball Z is a melodrama. Star Wars is a melodrama. William Shakespeare wrote melodramas.
I didn't say "for no reason".

"A story, film or play in which the characters show more exaggerated reactions than irl"

Luffy's reaction after fisting Usopp is grounded in reality, makes sense with reality. Usopp's care for Merry too. Also, consider the context behind Usopp, too... he had just felt a humiliating defeat. He felt hopeless, at the expense of all the supernatural crew. He didn't want only the Going Merry, apparently, but also to prove himself to Luffy. Luffy didn't care about Usopp's inability in combat, but Usopp did.
 

Kyo

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Except Laboon isn't the only part of the arc. They met Vivi which set their journey. There's nothing disingenuous about anything.
Oh my god. It's fucking impossible to draw an analogy without you taking it literally. Stop.
It's what makes the most sense. Why do you get to decide it's something loosely associated to Sabaody? It doesn't get more random than that.
I don't get to decide that. It's literally what happens.
I assume an arc starts when there's a strong bond connecting the events.
And we have that here.
Luffy learns about Ace's impeding condition there. I lump what comes after as the same arc, not some event loosely connected beforehand.
Sounds like a you problem.
It's a connection. Luffy is firstly exposed that something is wrong with Ace. He just doesn't pay much attention. That's a connection. Just not strong enough to make Luffy care.
Your definition of "connection" here is completely off base and not relevant to the topic whatsoever. That is why your argument doesn't work.
I haven't missed anything. Your point just doesn't make sense.
It doesn't make sense because I've shown you the logical conclusion of YOUR point, which doesn't make sense.
You never said anything like this.
What the fuck
And even going that route, it doesn't work.
What the fuck
Kuma sent Luffy there, but Luffy got there empty handed.
??????????????????????????????????????????????????????????
It's THERE that he earned his right to play Hancock's ship. He has his own adventure there. And there he gets the defining information. It's Amazon Lily, not Sabaody
Nigga. It doesn't matter when he gets the defining information. That has no bearing on the actual events that took place. Cell didn't even exist in Toriyama's mind until after Androids 17 and 18.
The shift from Sabaody onwards is clear too. Luffy gets there, has funny moments with the girsl, earnd their trust, has his occasional meal with everyone after the big fight and only then sets his gaze at his next challenge. It's clear enough.
It is a bridge from A to B. The shift separates the arcs, not the overarching saga.
Vivi sets their whole journey
Kuma sets Luffy's whole journey in motion.
I didn't say "for no reason".

"A story, film or play in which the characters show more exaggerated reactions than irl"

Luffy's reaction after fisting Usopp is grounded in reality, makes sense with reality. Usopp's care for Merry too. Also, consider the context behind Usopp, too... he had just felt a humiliating defeat. He felt hopeless, at the expense of all the supernatural crew. He didn't want only the Going Merry, apparently, but also to prove himself to Luffy. Luffy didn't care about Usopp's inability in combat, but Usopp did.
You didn't say "for no reason" and yet you try to say that it's not melodrama because the characters had reason to act the way that they did. That's not the point.
 

ahill1

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@Kyo

Oh my god. It's fucking impossible to draw an analogy without you taking it literally. Stop.
Your analogy doesn't work. I didn't say everything from the prior arc has to relate to the next arc. Laboon is saved, but the arc introduced one of the main characters from the post arc and Vivi gets them into the island that's already related to Baroque Works.
I don't get to decide that. It's literally what happens.
It's not literally what happens. Amazon Lily being the 1st arc of WB makes the most sense.
And we have that here
We haven't. Kuma gave Luffy the means to reach Amazon Lily. That's it. Everything there Luffy works on his own. It's there that he acquires the knowledge and everything starts taking form. Kuma just takes him there. That's it.
Sounds like a you problem
No, sounds like your problem.
Your definition of "connection" here is completely off base and not relevant to the topic whatsoever. That is why your argument doesn't work.
Except it's relevant. That's where the connection starts. That's where Luffy decides to change his course and not meet the other SHs.
What the fuck
It doesn't. Simple.
??????????????????????????????????????????????????
Some problem? By "got" there empty handed I meant he arrived there empty handed. He had to work his way out for him to go to Impel.
Nigga. It doesn't matter when he gets the defining information. That has no bearing on the actual events that took place. Cell didn't even exist in Toriyama's mind until after Androids 17 and 18.
Nigga, I'm not saying it's where he gets the defining information that's purely what counts. I'm saying it's there the things start to make sense. It's there that the war is presented. Beforehand, there were some off hand comments and that's it. Kizaru said all the warlords should be gathered at Marineford, but that's as loose as it gets. It's on Amazon Lily that the war is presented, that Luffy decides to change his path and changes the pacing of his goal. Kuma sent him there, cool. Doesn't matter. Getting you from a point A to B doesn't mean you're a part of that arc. Everyone helps the Straw Hats to reach different destinations.
It is a bridge from A to B. The shift separates the arcs, not the overarching saga.
Amazon Lily is the starting point. It's there the calm before the storm. It's there the introduction.
uma sets Luffy's whole journey in motion.
No, he gets Luffy to the island. Luffy earns their trust and makes Hancock value him. Helping you get to that point doesn't mean you're part of the arc. It's there on Amazon Lily that things start.
Click to expand...
You didn't say "for no reason" and yet you try to say that it's not melodrama because the characters had reason to act the way that they did. That's not the point.
I am saying it's not melodrama because the characters didn't necessarily act more abrasive than irl.
 

Warmmedown

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I guess OP's characters are naturally melodramatic. It makes sense for them to react how they do, but most people wouldn't act that way. Like most wouldn't be like "we are pirates" and shoot the guy in the head like Shanks' crew. Or maybe the fact OP always comes up with insane situations to set up its extreme sentimentality (eg Zeff eating his own leg, Robin's whole country dying, Nami's shit life) and the fucked up villains makes it melodrama too? Don't see kyouks actually explaining why it's a melodrama. Idk wtf a melodrama actually is.



Don't see how "op is a melodrama" is a defense against Ahill's criticism that OP is too melodramatic anyway. Surely it's just his personal preference that he doesn't like that style, whether it's intentional written that way or not. You can tell me Clannad is 100% intentionally melodramatic, but I'm still gonna hold down the power button.
 

Kyo

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Don't see kyouks actually explaining why it's a melodrama.
Yeah, because I'm an asshole.
Don't see how "op is a melodrama" is a defense against Ahill's criticism that OP is too melodramatic anyway.
It's not ;) I wouldn't have even said a thing if he didn't say
And yes, many OP's sad moments look like melodrama to me.
 
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